神決意創(chuàng)造我們當(dāng)今的世界，于是神在混沌中帶來秩序。在HILLSIDE坡上廚房西餐廳設(shè)計(jì)中，天棚往上延伸的黑色方洞表現(xiàn)“無形”、“空虛”的存在，不規(guī)則的裝飾燈具穿插其中，一起形成“無秩序”的狀態(tài)。大小不一的燈珠如同智慧的果實(shí)，是神帶給人間的禮物，在混沌中指向光明。下面就隨著鄭州餐廳裝修公司宏鈺堂小編一起來欣賞吧！

God is determined to create our world today, so God brings order in chaos. The black square holes extended upward in the ceiling show the existence of "intangibility" and "emptiness". Irregular decorative lamps and lanterns are interspersed to form a state of "disorder". The lamp beads of different sizes are like the fruits of wisdom. They are the gifts God brings to the world, pointing to the light in chaos.

項(xiàng)目空間內(nèi)部結(jié)構(gòu)因受到建筑暖通等結(jié)構(gòu)限制，使用空間相對較為分散?？紤]到入口展示面的完整呈現(xiàn)，在功能性布局中采用雙吧臺造型，一方面突破空間局限通透性增加，一方面以吧臺為核心順勢設(shè)置側(cè)向吧臺和側(cè)向卡座兩種不同布局形態(tài)，豐富就餐體驗(yàn)。

The internal structure of the project space is limited by the structure such as building heating and ventilation, so the use space is relatively scattered. In consideration of the complete presentation of the entrance display surface, the double bar shape is adopted in the functional layout. On the one hand, it breaks through the space limitation and increases the permeability. On the other hand, it takes the bar as the core and sets two different layout forms of the side bar and the side card seat to enrich the dining experience. 

隨著視覺從仰視轉(zhuǎn)為直視，整個空間形態(tài)就此轉(zhuǎn)變。井然有序的造型護(hù)墻圍繞吧臺展開，幾何畫面馬賽克大面積序列鋪展，和軟裝陳設(shè)一起形成“有形”、“充實(shí)”、“秩序”的空間狀態(tài)，與天花形成反差，“無秩序”和“秩序”形成新的呼應(yīng)關(guān)系，讓空間層次更為豐富。 

As the vision changes from looking up to looking directly, the whole space form changes. Orderly shape of the parapet around the bar, geometric mosaic large-area sequence spread, and soft furnishings together to form a "tangible", "substantial", "order" space state, and smallpox form a contrast, "no order" and "order" form a new relationship, so that the spatial level is more rich.